Taken in Antwerp, looking into passing busses. The glass separates two worlds. Inside, people sit or stand, each in their own moment. Outside, the city keeps moving. Nothing staged. Just everyday life, passing by.

This series was taken inside Antwerp Central Station, Belgium. The first image shows an opening in the wall beside a staircase, where two people are talking. Light and dark surfaces isolate them within the space. The second photo shows a view through dusty window panes, which blur the street outside. A cyclist passes by at the bottom of the frame. These are two simple moments—one indoors, one outdoors.

This image and the following, taken on the beach in Knokke-Heist, feature a figure from 'Another Time,' a series by Antony Gormley. The cast-iron sculpture is positioned on a breakwater facing the North Sea. As part of a larger group of identical figures placed in different locations, the work explores human presence in open space. While the figure remains still, it is exposed to wind, tide, and shifting light as the surrounding environment constantly changes.

These photos were taken along the Busan waterfront, with a focus on the Gwangan Bridge (Gwangandaegyo). This bridge links the Haeundae and Suyeong districts across Gwangan Bay and is among the cityâs most iconic landmarks. As dusk falls, the scene changes quickly: the sky remains warm-toned, while the bridge and city lights start to illuminate the view. From afar, the bridge appears as a sleek architectural line stretching across the water.

This image was taken in Gukje Market, one of Busan’s busiest traditional markets. Inside a small stall, a man sits behind the counter, looking at his phone during a quiet moment. The photo is framed through the entrance, with glass panels and objects forming layers between the viewer and the subject. While the outside market is lively and crowded, the inside scene is peaceful and enclosed.

This image was taken along the Scheldt Quay in Antwerp. A bicycle rests against a lifebuoy station. Behind it, a person sits partially hidden, taking a break and smoking. A simple scene—objects and a quiet human presence—set against the open river.

This photo was taken from the rooftop bar of the Guinness Storehouse in Dublin. The view looks out over the city, with a mix of historic buildings, industrial sites, and newer developments. In the distance, church spires and cranes shape the skyline. While walking through Dublin, I often sense a grey, subdued, somewhat worn ambiance—though not everywhere, just in certain areas. This image captures that mood, especially as daylight dims and the first artificial lights turn on.

These grass-covered burial mounds date back to the Silla Kingdom (57 BC–AD 935), when Gyeongju was the royal capital. The tombs consist of wooden burial chambers layered with stone and soil, creating the rounded hills visible today. Silla elite members were buried with items reflecting their social status, such as gold crowns, jewelry, weapons, and everyday objects. Since these tombs were sealed and not intended for reopening, their contents have been well preserved. Currently, these mounds are a prominent element of Gyeongju's landscape—simple, open formations rather than enclosed cemeteries.

This photo was taken in Busan during blue hour, highlighting the waterfront and the city's high-rise skyline. As daylight fades, building lights begin to turn on, and reflections on the water enhance the connection between the city.

These photos were captured along Busan's coast, where natural rock formations and man-made structures meet the sea. The images emphasize shape, size, and orientation. A lone figure offers a sense of scale among the rocks. A coastal sculpture frames the scene, leading the eye toward the horizon.